Ed - Guitar tutor -
Ed - Guitar tutor -

One of our best tutors. Quality profile, experienced in their field, verified qualifications and a great response time. Ed will be happy to arrange your first Guitar lesson.

Ed

One of our best tutors. Quality profile, experienced in their field, verified qualifications and a great response time. Ed will be happy to arrange your first Guitar lesson.

  • Rate RM294
  • Response 11h
  • Students

    Number of students accompanied by Ed since their arrival at Superprof

    28

    Number of students accompanied by Ed since their arrival at Superprof

Ed - Guitar tutor -
  • 5 (25 reviews)

RM294/h

Contact
  • Guitar
  • Acoustic Guitar
  • Electric guitar
  • Rock Guitar

Guitar Lessons Master Classes of New York Features All Levels Of Acoustic & Electric Guitar Lessons + Songwriting Master Classes In Person Or Online Offered With Professional Recording Artist Ed Hale

  • Guitar
  • Acoustic Guitar
  • Electric guitar
  • Rock Guitar

Lesson location

Ambassador

One of our best tutors. Quality profile, experience in their field, verified qualifications and a great response time. Ed will be happy to arrange your first Guitar lesson.

About Ed

Guitar Lessons Master Classes of New York With Ed Hale has been  named “Best Guitar Lessons in New York City 2024” by (concealed information), and Best Guitar Lessons in Brooklyn 2025 by Business Rate Magazine.
       Ed Hale is a singer-songwriter who has been a professional recording and touring artist since his first album came out 25 years ago. Either solo or with his band The Transcendence they have released 14 albums, countless CMJ College Radio hits, and 11 Billboard Top 40 hit singles in several different radio formats including Indie Rock, Alt Rock and Adult Contemporary. Their songs can be heard on the radio, in a wide variety of movies and TV shows, and your favorite streaming service such as Apple Music or Spotify. Their albums are also available for sale in physical format in both CD and vinyl. Ed started hosting Master Classes in Songwriting online during the Covid lockdowns and found it to be an extremely rewarding experience. He soon expanded it to include guitar lessons and general music theory and branched out to in-person lessons. He considers music making to be a sacred art as well as super fun and thrilling and thus finds these lessons and master classes to be a valuable win-win for himself and the student and an extremely rewarding way of giving back. If you have any questions or want to talk about where you are in your playing or writing, please feel free to message here or call text or email.

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About the lesson

  • All levels
  • English

All languages in which the lesson is available :

English

Guitar Lessons Master Classes Of New York with Ed Hale teaches all forms of Guitar lessons in both electric and acoustic, professional hit Songwriting Master Classes and Music Theory, if desired. All ages. All levels All Playing styles All Musical Styles. Our youngest student is 11 years old, still in junior high and boy can he play! Our eldest is a 75-year-old retired businessman who used to tour around in bands back in London when he was in college. One thing that all students have in common is that a 30 to 60-minute lesson flies by and no one can believe that much time has passed. Each Master Class uses a variety of different techniques & formats that make them both educational and fun, and never slow or boring. They are structured around each individual student and what THEY want to do or learn, and are always fluid, based on whatever is working best for the student and how & what they prefer to learn. Whether you want to learn the basics and become proficient on the guitar, or learn to play some of your favorite songs by others, or start writing your own songs, or already play and take your skills to a higher level, that’s exactly what you’ll learn to do. The Classes include most styles of electric or acoustic guitar, songwriting & composition, piano & keyboard, GuitArchitecture, & Evolution of Rock and Popular Music classes (an essential piece of becoming a great player & artist). Classes are fully immersive in a professional recording artist studio environment with a large selection of some of Ed Hale’s favorite guitars he’s collected through the years. Students can choose from one of those for their lessons or bring their own. Classes range from 30 minutes to an hour to half-day sessions for show or studio prep. We tend to always go over time for no charge if the schedule allows for it because the classes fly by so fast. Please feel free to call or email if you have any further questions.

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Rates

Rate

  • RM294

Pack rates

  • 5h: RM1325
  • 10h: RM2523

online

  • RM252/h

Travel

  • + RM70

Details

Lessons and Master Classes come in half-hour blocks, for $45, or $70 for an hour. Though if that day's schedule allows, we tend to go over time. DISCOUNTS are ALWAYS available if the week’s schedule allows for students, retirees, working musicians, or anyone who is passionate about music, dying to learn and may not be able to afford the full price. We don’t want to turn anyone away, especially not for money. Half days and full days are available for artists and bands who have upcoming studio time or a concert they’re preparing for.
       We also offer discounted bulk rates for those who pay monthly or quarterly. Just ask. 

Video

Learn more about Ed

Learn more about Ed

  • 1) When did you first develop a passion for music and your favorite instrument?

    I know this info is readily available all over the internet, especially this particular question, because it always seems to be one of the first questions asked in interviews and I'm nearly 30 years into this career…. But let me try to be creative here and give an answer that's new or never been reported or discussed before.

    It's true that story about seeing Sound of Music for the first time as a 5 or 6 year old, being so amazed and excited about the MUSIC I heard and waking up the next morning before everybody else, sitting at the piano figuring out how to play all the songs I remembered from the night before. That was THE moment when I knew, when the whole family knew… "Oh okay, he's a musician." I come from a long line of famous musicians, conductors, composers… So this wasn't a surprise for our family. It was more to be expected honestly.

    But if we fast forward a few years, to junior high school. I had formed this new band with my mates… all of us big 60s music nerds - this is during the 80s, so we were real outcasts with the mainstreamers. But everybody loves you when you're in a band. So that changed things. For all of us.

    Then suddenly we moved to a different town. When I was about 11. That was a big deal. Sad. Over the summer my old bandmates from my former hometown sent me a tape of them playing songs as a band. Our band! Mostly Beatles and Stones songs. And suddenly they could really PLAY. For real! I listened To that tape over and over. Hundreds of times. I couldn't believe how good "we've" gotten. Only "I" wasn't there. I had moved. And they had continued the band without me and could now really play music.

    From that point on I did nothing outside of school but sit in my room and play music and write songs.., guitar, piano, keyboards, bass, drums. Learned how to record and multi-track. Practiced singing. They inspired me to become as good as they had become.

    I started another band that summer, with a new set of guys in our new hometown. And never looked back.
  • 2) Is there a particular type of music or artist that you listen to on a loop without it driving you crazy?

    Like a lot of professional musicians, I listen to and enjoy everything. If it's music, we're open to it. I've been a professional recording artist since I was 17 years old, right, and I have Never been in a room with other musicians or even "the suits", the business guys, promoters, publicists, etc who have ever dissed a certain style of music. It's just not like that in the business.

    Sure everybody has their favorite style. I've got hundreds of them… but people in the business are in the business because they LOVE MUSIC. It doesn't matter what style or radio format it is. If it's music and it's good, we can fall head over heels in love with it.
  • 3) Explain to us the most difficult or riveting course you could personally give to a student of music.

    Why? Maybe this is due to the translation from one language to the other. You guys are french right? Located in Paris? Difficult and riveting are two very different words. I would never deliberately create a difficult environment for a new student. It's already challenging enough, buying the instrument, making the call, showing up to the lessons every week, practicing…. Making that commitment.

    Then you show up to my studio and I've got al these Billboard Top 40 framed albums in there LOL and I say To them "okay show me what you can do. Play." Hah! That's difficult enough. My whole thing is to try to calm all that tension and nervousness down for them… so they start feeling comfortable and can open up and relax. Then I can Start to see their true passion for music, what's moving and motivating them to be there.

    Once they smile, and we start talking and sharing and opening up, and I can see where they're at, once they realize that I'm just another person, just like them, and the passionate conversations about our love of music start, the real learning begins. It's a high. Like being in another dimension. Taking a trip. They become really good really fast.

    I really Love this process. Watching people come in nervous and not very good at playing music and a few weeks and months later becoming real musicians. It's intoxicating.
  • 4) What do you think is the most complicated instrument to master and why?

    I think every musical instrument can be really hard or really easy to play and master. It all depends on the artist and what they're trying to do with it, what they're trying to SAY.
  • 5) What are your keys to success?

    If you're lucky enough to find true love, you're already there. That's the dream. Because it's not something you can "work at", right? It either happens or it doesn't.

    In the meantime, we do have a natural tendency toward wanting to achieve, wanting to stand out, to be able to genuinely feel like we've made our mark, done something nobody else has. Contributed in some way.

    I believe anyone can do that. Nothing else about them matters. Not their past or their ethnicity or gender or their financial lot in life. People who tend to want this already know to be completely obsessed with it and nothing else. It's a natural inclination. To be success driven is to be focused on and obsessed with one thing, your success in that field; or in a multitude of fields.
  • 6) Name three musicians you dream of meeting in your favourite bar in the early hours of the morning. Explain why.

    This is a tough one. I mean, I can sit here and wax nostalgic about how Dylan was a dick to me as he is to everybody, and what an asshole Lou Reed was at first, because he was so high and so arrogant and didn't care how much I adored him as a kid… or I can shoot you a very straight no bullshit answer, but it's not going to sound like all your other "profs"…. My first album came out when I was 17. I quit high school to go on that first REM/B52s tour. Then the Amnesty International Tour for South Africa. And EVERYBODY was on that tour if you remember… U2, peter Gabriel, Sting, Brian Adams, Lou Reed, Joan Baez… on and on….

    At that age and as our career continued to this very day, I was NOT thinking about who I wanted to meet. We met people. Every day. On the way of the day to day. We meet people. Every day. Doing the JOB. That's the job. So you meet "everybody" somewhere down the line, somewhere.

    And when you're in this gig, doing it for real, as a job, as a profession, you and your bandmates are thinking of one thing: how can we crush them? How can WE stand out and top THEM? Either on stage, or on the radio, or with our new album, or in the 5 star reviews, or on the charts… It's very competitive.

    Professional musicians are not sitting around "oh who would I like To meet?" They're thinking "how can I be the best? How can I be #1?" And because you have that attitude, you're not looking up to other people in the industry with stars in your eyes. You're looking them dead in the eye as a peer and you recognize that they're thinking the same thing YOU are. LOL. "We're going to crush you! Our new album is the BOMB!"

    So you do your absolute best to discover what makes YOU the best and carve out your own niche, and you work your ass off and you earn the respect that puts you in the places where all those people you thought you wanted to meet when you were 10 are standing next to you in the studio or side stage somewhere watching a killer show or in a green room somewhere.

    And in the end, once that starts to happen, you realize soon on that everybody is pretty much the same. We all started out the same way, had the same dreams, all got lucky somehow in some way, worked our tails off, and still want to keep making money from making music. That's the nutshell.
  • 7) What are the little touches that make you a Superprof in music? I skipped to this question because I believe It's the most important one for the context of this interview… Why am I suddenly teaching? After all this time? In my line of work? Right? I mean This is something I never Thought I would do… With what time? How? Why? Then the Covid lockdowns came and suddenly everything stopped. We couldn't tour. We couldn't get together in the studio. We had to record our albums separately in our home studios. I knew Others in the business who had started giving master classes to folks during this time and said it was extremely rewarding. Sharing music like that. So I gave it a try. Honestly I could not believe just how rewarding it was. I was Moved to tears by it many times in the beginning. Still am. Here's the thing. I'm not a teacher. I'm a professional singer/songwriter and recording artist who plays multiple instruments and has had that profession my entire adult life. That's what I do. That's my job. When I can, I invite People in and sit down with them and show them the ropes, show them how it's really done. How we actually REALLY DO IT. For them, it's like I said, a trip to another world, another dimension, another reality, because it's not your normal student-teacher experience. They can ask me any questions they want to about the business or other artists or how things are actually done in the music business or how we actually play and I do My best to answer them and to SHOW them. We pull out the guitars and we JAM. It doesn't matter how good they are or if they're just beginning. We'll get there and we'll get there fast. Because I LOVE doing this. And I LOVE doing it with anybody. Especially if they're as passionate about music as I am. This isn't a science. This isn't academics. It's not school. This is ART. It's the lifeblood that pulses through our bodies and feeds us. It's MUSIC. And we're going to sit down together and make music! It's the most powerful experience there is. And if that person whoever he or she is shows up here, that means a LOT to me. I give them my all, 110%, just as I do When I write A song or create an album or play a show. They get the whole package. It's a real world experience of what it's like to really play an instrument or sing or write a song or record a song, because that's what we're actually going to do. I think Every student who's passed through here over the last two years would say "damn, Ed Hale cares more about how good I play than I do!" And that might often be true. Music is not just my profession. It's my life. I LOVE making music. Love sharing it with others.

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