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Ivan
- Rate RM300
- Response 1h

RM300/h
This tutor is currently unavailable
- Acting
- Musical theatre
MA Actor (70+ Roles) & Director | Transform Pressure into Instinctive Freedom via Guskin approach
- Acting
- Musical theatre
Lesson location
Recommended
Ivan is a respected tutor in our community. They are highly recommended for their commitment and the quality of their lessons. An excellent choice to progress with confidence.
About Ivan
PROFESSIONAL BIOGRAPHY
I am an International Professional Actor, Director, and Writer holding a Master of Arts (MA) in Acting from the Academy of Dramatic Art in Zagreb, Croatia. Alongside my formal degree, I have continuously refined my craft through specialized international masterclasses and industry workshops led by world-class icons, including Tony Award-winning master physical actor Bill Irwin and legendary BAFTA-winning casting directors Kate Rhodes James and Francesco Vedovati.
My career began as a child actor in 1994, and I have worked continuously at the highest professional level since 2005. Over the last two decades, I have brought more than 70 roles to life across major national theatres, feature films, and television - ranging from classical and contemporary drama to major musicals and cabarets - alongside over 70 professional voice-acting credits for major international animated feature films.
Throughout my career, I have shared the stage with world-renowned classical icons like Rade Šerbedžija and Tony Award-winner David Shiner. Having directed 6 diverse professional theatrical productions—ranging from Shakespearean tragedy to contemporary musicals and cabarets—I have spent years sitting on both sides of the audition table. I know exactly what directors and casting panels look for when evaluating a performer's dramatic presence.
DRAMATIC COACHING EXPERIENCE
As a coach, I have worked across the entire spectrum of development:
• Coaching professional actors working on specific film, TV, and stage roles.
• Training a principal mezzo-soprano for her highly celebrated, intensely physical title role performance in Bizet's Carmen at the Croatian National Theatre Ivan pl. Zajc.
• Mentoring drama school applicants through rigorous entry exam preparation.
• Guiding high school students in drama studios to build foundational skills.
(Note: You can read the full, verified recommendations from both Tony Award-winner David Shiner and Principal Mezzo-Soprano Ivana Srbljan in the recommendations section at the bottom of this profile.)
PROFESSIONAL CREDENTIALS & AFFILIATIONS
• Member, HZSU – Croatian Freelance Artists Association (State-recognized elite independent artist status)
• Member, HDDU – Croatian Association of Dramatic Artists
• Master of Arts (MA) in Acting – Academy of Dramatic Art, University of Zagreb
• Advanced International Training: Industry & Craft Workshops with Bill Irwin (Tony-Winner), Kate Rhodes James (Gladiator II, House of the Dragon), and Francesco Vedovati (BAFTA-Winner)
• Guest Director & Performer across major European and State-Subsidized National Theatres, including:
- Ulysses Theatre (Prestigious International Classical Summer Festival)
- Croatian National Theatre in Varaždin (Elite State Opera & Classical Drama House)
- Zagreb Youth Theatre / ZKM (Renowned Avant-Garde & Contemporary Repertory Theatre)
- Komedija City Theatre (Major Musical Theatre & Lyric Stage Productions)
- Gavella Drama Theatre (Leading National Stage for Classical & Modern Drama)
- Kerempuh Satirical Theatre (Premier National House for High Comedy and Satire)
About the lesson
- Beginner
- Intermediate
- Advanced
- +1
levels :
Beginner
Intermediate
Advanced
Professional
- English
- Croatian
All languages in which the lesson is available :
English
Croatian
THE ACTIVE REHEARSAL: TRANSFORMING PRESSURE INTO CREATIVE FREEDOM
My coaching is fundamentally rooted in Harold Guskin’s legendary approach detailed in his book, How to Stop Acting. Having deeply explored and applied this work for 16 years as an actor and director, I know its power to transform a performance from "good" to "unforgettable."
Traditional acting often forces you to plan how to say a line or how to feel a certain emotion. This creates tension, predictability, and artificial habits. My method does the exact opposite: we strip away the planning so your natural instincts can take over.
THE CORE PILLARS OF OUR WORK:
• Responding to the Text, Not the Plan: You will learn to look at a script without deciding beforehand how to deliver it. We focus on letting the words hit you in real-time, making your response completely unpredictable, fresh, and alive.
• Unlocking the Creative Impulse: Anything can be used to fuel your truth. We actively explore the immediate reality of the space: What shifts within you if you step closer to your partner, perform the line softer, or the director suddenly just wants you to bring more "stature" to the role?
• Overcoming the Fear of Being "Wrong": I create a safe, high-energy space where there are no mistakes—only discoveries. By letting go of the pressure to give a "perfect" performance, you unlock a raw, magnetic truth.
• Director-Minded Script Structure: Blending Guskin's instinct-led work with structural storytelling concepts, we will analyze your script's architecture. You will understand the scene's engine so your instincts always serve the story.
SPECIALIZED TRAINING FOR MUSICAL THEATRE PERFORMERS:
• The Score as Your Instinct Engine: Many traditional acting coaches try to teach musical theatre artists to act a song by stripping away the music or treating the libretto like a standard play script. My approach is different. As a coach who understands music deeply, I teach you how to decode the musical score to fuel your dramatic performance.
• The Architecture of Music: The composer has already written your character's subconscious, pacing, and emotional shifts directly into the time signatures, key changes, note intervals, and orchestration. By blending a precise reading of the music with the Guskin approach, you will never have to juggle "singing technique" and "acting choices" simultaneously on stage. Instead, you will learn to let the architecture of the music automatically trigger your raw, physical, and truthful acting impulses.
WHAT WE FOCUS ON:
• Role Building & Character Development: Move beyond standard theater exercises. We dive straight into your current rehearsal material, upcoming production, or audition material, transforming high-pressure requirements into a blank canvas for your instincts.
• Audition, Screen & Self-Tape Prep: Leverage my experience as a director to master both theatre and screen auditions. Learn how to translate abstract or confusing director-speak—like a sudden demand for more "stature"—into concrete, physical choices that demand attention on camera and on stage.
(Flexible scheduling options are available to seamlessly accommodate UK and international time zones.)
Recommendations
Recommendations come from relatives, friends and acquaintances of the teacher
I had the pleasure of working with Ivan in 2019 during the production of Carmen in Arena in Pula. His approach was clear, precise, and deeply supportive for me as an opera singer. What makes his work especially valuable is his understanding of music, musical structure, and the dramatic logic within the score. He knows how to connect acting with the vocal phrase, rhythm, text, and character, without ever separating stage expression from musical interpretation. Through his guidance, I developed greater authenticity, freedom, and dramatic clarity on stage. His ability to bridge theatre and opera makes him a valuable collaborator in developing stage presence, character work, and dramatic interpretation within a musical context.
I warmly recommend him for any artistic or educational work with opera singers and operatic performers."My first collaboration with Ivan was in the cabaret 'Joj Hrvati’ (Oh, Croats) which he directed. Starting at the audition process, working with Ivan was a truly valuable and unique experience. His systematic approach, empathy, room for creativity and mistakes, clear step-by-step guidance, and deep understanding of an actor's needs make it the perfect environment to learn and grow. I also gained a lot of practical advice that prooved valuable later in my own work, both as actress and director. Ivan truly understands the creative process from both sides of the stage, and his experience can serve as an amazing tool when developing a role."
Paola Slavica, actor/director
Working and preparing for the entrance exam at the Academy of Dramatic Arts in Zagreb with Ivan Đuričić was a great privilege and brought me tremendous benefits. The preparation process helped me build confidence, learn how to manage my stage fright, and discover how to make performing any text enjoyable, regardless of the nature of the task. The guidance throughout the entire process was very clear, and it genuinely felt as if I were already attending my first year at the Academy itself.
The preparation work proved extremely valuable once I was admitted to the Academy. One of the most important aspects of studying there is finding a common language with your professors so that you can understand each other better. The Academy provides a great deal of guidance, and I found it much easier to understand and connect with those instructions because of the work I had already done during my preparations.
In my opinion, the preparation classes also built a very strong foundation for all the further physical training and the diverse specialized skills that we learn at the Academy. Every building will eventually collapse if its foundation is not properly built, and Ivan Đuričić is truly a master of creating that great foundation.Ivan has been a wind in my sales ever since we worked together as actors on my first professional play. His patience and persistence in delivering and expanding knowledge, especially while helping me prepare for my debut, has helped me greatly and I've continued to work with him as my coach ever since. His enthusiasm and love for the art of acting are infectious and they played a major role in facilitating my own enthusiasm and growth. Nothing but recommendations!!!
View more recommendations
Rates
Rate
- RM300
Pack rates
- 5h: RM1498
- 10h: RM2995
online
- RM300/h
Details
WHAT IS INCLUDED IN YOUR FEE:
• Pre-Lesson Script & Score Analysis: I review and analyze your scripts, librettos, or musical scores before our session so we can maximize every minute of our digital face-to-face time.
• Post-Lesson Resources: Custom digital notes, specific adjustments, or follow-up exercises sent directly to you after the rehearsal.
• Self-Tape Reviews: Outside of live hours, you may submit self-tape drafts via video link for direct structural feedback.
TERMS & POLICIES:
• 5-hour and 10-hour packages are highly recommended for artists prepping major roles, complete show seasons, or drama school entry cycles.
• Cancellation Policy: A strict 24-hour notice is required to reschedule or cancel a session. Sessions cancelled with less than 24 hours' notice will be charged at the full rate.
• Global Access: All sessions are conducted exclusively online via high-definition video platforms to seamlessly accommodate UK and international time zones.
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