1st lesson belanja
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Christopher
- Rate RM204
- Response 1h
-
Students14
Number of students accompanied by Christopher since their arrival at Superprof
Number of students accompanied by Christopher since their arrival at Superprof
RM204/h
Contact
1st lesson belanja
- Music Theory
Experienced tutor in Music theory in Royal Oak, Christopher offers private lessons tailored to your needs.
- Music Theory
Lesson location
Recommended
Christopher is a respected tutor in our community. They are highly recommended for their commitment and the quality of their lessons. An excellent choice to progress with confidence.
About Christopher
I help the student who wants to be a musician but hasn't found their own fire, yet. I help the person who has a great desire to play but feels lost in a jungle of musical theories, books, and styles. I help you awaken devotion to great sound and entertaining music.
I love playing music. I love helping and sharing, especially musical ideas. I love seeing someone else grow and take off on their own. I feel great when I improve myself, and I feel greater when I help someone else improve.
When I was in college I learned to double on flute, and a friend asked me to teach her daughter, who played flute well, but lacked the motivation to practice. The challenge for me was to help awaken interest, excitement, and passion, when it seemed there were none. That was very rewarding.
I've studied with great teachers from our public school system in Traverse City and lessons at Interlochen, my studies at CMU with John Nichol, and lessons from masters like Dr. Teddy Harris, Jr., Rafael Statin, and Lou Marini, Sr.
I've been to clinics and workshops with great artists such as Alan Hovhaness, Jerry Jemmitt, and Joe Lovano. I've sat in on bass lessons with the great Marion Hayden, Robert Hurst, and John Kennedy, and gleaned many valuable points that help me as a non-bassist.
Performing with Detroit musicians such as RJ Spangler, Phil Hale, Mo Hollis, and Elvin Ferreira has had an invaluable influence on my playing and understanding of music concepts. We all have many teachers, and I feel blessed to have been influenced and helped by all of mine.
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About the lesson
- All levels
- English
All languages in which the lesson is available :
English
I always like to understand what a student likes about music and what they want to achieve. Then I do an equipment check. Is the instrument in need of adjustment? Is the mouthpiece the right fit? Is the reed the right strength and quality? Then I assess where the student is at with fundamentals ... what scales are memorized, how is the tone, response, dynamics, fluency of finger movements, and timing. How is the breath support, voicing, embouchure, articulation, and technique? From there, we'll look at exercises to help.
If a student is already working from a techniques book, we'll keep going with that. But if the current book doesn't provide enough, I'll recommend an additional book or two.
I have worked with elementary, middle school and high school students, as well as older adults. It's never too early or too late to take your music to a new level.
You need to study with someone who knows how to develop a great sound, how to lock in on fundamentals, how to set achievable goals, how to design and constantly adjust a practice plan, and who can show you how to become a self-directed student. Give every teacher a chance to work with you, at least three lessons.
I performed at the Detroit Jazz Fest jam session one night, a couple years back, playing "Canteloupe Island" and kept the solo focused on simplicity and emotional interest. Specifically, I was thinking of my impression of Bennie Maupin, who recorded a fantastic version of that song with Herbie Hancock and the Headhunters. When I finished, a gentleman in the audience turned to me and said, "I hear you, brother." It was Bennie Maupin.
A few things worth thinking about before reaching out
Think about what you want. What do you want to sound like, who do you want to perform with, how do you see yourself musically in life? Do you want to be a professional, a hobbyist, a teacher? How are you currently sounding when you perform and when you practice? What things are hard for you to do, musically?
From that, you probably have a pretty good idea of what you need to learn. Then, if a teacher isn't giving you what you think you need, be the best possible student by asking lots of how and why questions. "How do you do this ..." and "Why did you choose to do that?" can help you get closer to the things that you want to own.
If you think you know what you want to work on, ask for that. Make sure that you listen, though, because the teacher may have some very good reasons why you do not want to work on that point, just yet.
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Review
All of our reviews are collected by us and are 100% reliable. They correspond to real lessons experienced by the students of Christopher.
4.7 (3 reviews)
Excellent! Chris is a very accommodating and knowledge sharing musician. It has been a pleasure to start a new instrument with him.
Perfect! I am really enjoying my classes with Chris. He is an excellent and patient teacher. Very knowledgeable about not only playing the clarinet but other aspects of music. Thank you for leading me to discovering a New and Exciting Challenge.
Perfect! Chris is Very Knowlegeable and has Interesting Facts/History of the Clarinet...I already have lessons planned and next class setup.
Thank you for notifying and arranging a meeting with Chris.See more reviews
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Rates
Rate
- RM204
Pack rates
- 5h: RM1020
- 10h: RM2040
free lessons
This first lesson is free to allow you to get to know your teacher so that they can best meet your needs.
- 1hr
online
- RM204/h
Details
$50 an hour, $40 for 45 minutes, $30 for a half hour. Half hour lessons seem like a good idea for kids because of short attention spans, but truly there is just too much to talk about and work on that cannot be done in 30 minutes. I would hope to get younger kids up to a 1-hour lesson as soon as possible, for best progress.
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